Plaza de la Revolución, La Habana. CUBA
viernes, octubre 20, 2006
SUEÑO REBELDE. Estas fotos son de RENE DE LA ROSA, de Mexico.
Plaza de la Revolución, La Habana. CUBA
RODRIGO ASTABURUAGA, amigo de las fotos de Chile
Foto de Rodrigo Astaburuaga, tomada con lentilla angular.
Canon AE-1. Valdivia. Chile
jueves, octubre 19, 2006
LINDA FREGNI NAGLER. Una amiga fotografa de Italia
Observing some playgrounds in Milan during the day, I thought of isolating them and photographing them without mothers or children, and studying their essential form. And the only way was to photograph them at night. It seemed to me these pictures were somehow frozen, even more fixed than photography itself. As though they were timeless and the subject was not immediately recognisable. I didn’t think so much about the absent children or the symbolic weight of the places, I simply concentrated on the forms. I started using my eyes to look for the structures that in the night-time space and light are transformed into mysterious objects, as though their function had become indefinable. I look for interesting forms and photograph them in many places around the world, in wintertime. One of the aspects I find important in this work is the actual moment I take the photo. The dark, the night, the cold. When I go on site, I’m very often not able to see anything through the viewfinder. And the exposure times are extremely long, so I just have to wait patiently. Photography reveals a reality that you can’t actually see when you’re taking the picture in the dark. It’s only later that I discover the precise shape and structure of the object, with its details, its scratches and little writings. I find this revelation quite extraordinary. The very idea of a latent image contains all I’m saying. But making this discovery when starting out from darkness, as though I were blind or could barely see, is a powerful emotion and strongly reflects on what I am looking for in my work.
miércoles, octubre 18, 2006
Scivolo totale
Foto de Linda Fregni Nagler, tomada en Metaponto, sur de Italia en Abril 2006. (el mes es muy importante por la luz), al final de invierno es lo ideal. Con una camera Linhof 10x12 (en America dicen 4x5), con lente 90 angular, exposicion de dos horas, luz de luna solamente. Negativo Kodak Tmax 100, 10x12cm.
Muy bueno el moviminto de estrellas..
EICTV totale taglio
Foto de Linda Fregni Nagler, tomada de noche con larga exposicion. En CUBA, en la escuela de cine de San Antonio de los Baños EICTV. En marzo 2006 con una camera Hasselblad 6x6, y pelicula Fuji 100asa, 3 min de expo con diaf a 22.
Drago
Foto de Linda Fregni Nagler, tomada en Metaponto, sur de Italia en Abril 2006. Con una camera Linhof 10x12 (en America dicen 4x5), con lente 90 angular, exposicion de 30 minutos, luz de luna solamente. Negativo Kodak Tmax 100, 10x12cm.
domingo, octubre 15, 2006
CARLOS JOHNSON VEILLON, creador del blog. Chile
Cerro Pochoco, Santiago, Chile.
Nikon D50. Filtro polarizador y filtro degrade morado en el lente. Este efecto es increible, es manual. La camara digital...:-)
Suscribirse a:
Entradas (Atom)
